Showing posts with label workshop. Show all posts
Showing posts with label workshop. Show all posts

Tuesday, September 3, 2013

NEW WELCOME HOME DATE!!!


So it seems that London is a popular place for workshops and our first London date has sold out and there's still more of you wanting to come so we've decided to add another date! Woop!! So if you fancy coming along we now have spaces!!


The Welcome Home workshop will focus on developing your artistic voice, finding your niche market, understanding and developing your brand, valuing the client experience, managing expectations and staying inspired.
Within these topics I will also be covering...
- My artistic Style
- Attracting your ideal client
- Understanding your 'why'
- Marketing
- Shooting
- Post Processing
- Pricing
- Workflow
- Client relationships and experience


TUESDAY 8TH OCTOBER 2013 - LONDON
10am - 7pm
Venue - Belt Craft Studios
Price £400 (inc VAT)
Includes lunch


We are also offering peeps the opportunity to pay in instalments so you can pay your deposit now and pay the rest at the beginning of October... :)

If you would like to come along then drop us an email at info@emmacasephotography.com and we can send over all the info you need.

It's funny.. getting emails from all the new homies that are coming on the workshop, telling us all about themselves.. I've realised one thing.  Every single person that comes on the workshop is already a homie deep down..

Monday, July 15, 2013

NEW Welcome Home Workshop dates!!

So far we've had a total of six Welcome Home Workshops hosting two at our office in Brum and have travelled to Edinburgh, Bristol, London and across the water to Dublin.  We've had a total of 63 homies join us on this crazy adventure and it's been incredible to watch them all grow their own supportive community in the facebook group speaking and offering each other daily support and advice.  Back in April we also had our first Welcome Break.. a two day retreat where 33 of us spent a few days laughing, dancing, eating good food and simply getting back to what's important...
  
Welcome Home has become so much more than a workshop and we want others to have the opportunity to be involved in this growing family too.. :)

So what is the workshop about?

The Welcome Home Workshop will focus on developing your artistic voice, finding your niche market, understanding and developing your brand, valuing the client experience, managing expectations and staying inspired.
Within these topics I will also be covering...
- My artistic Style
- Attracting your ideal client
- Understanding your 'why'
- Marketing
- Shooting
- Post Processing
- Pricing
- Workflow
- Client relationships and experience

To have a little look at some of the workshops that have been before have a look HERE... and HERE!

On top of all that.. attending Welcome Home will also give you...
  • Immediate access to the Facebook group
  • An invitation to the amazing Welcome Break next April
  • Exclusive opportunities for one to one mentoring sessions

We are SO excited to be opening two new dates so BOOK YOUR PLACE NOW!!!!!


10am - 7pm
Venue - TBC
Price £400 (inc VAT)
Includes lunch


10am - 7pm
Venue - TBC
Price £400 (inc VAT)
Includes lunch


To book your place and find out more information about the workshops then click HERE




Martina Capodanno

Martina Capodanno

If you have any questions then feel free to ask away.. info@emmacasephotography.com

Soooooo... what ya waiting for??? We CANNOT WAIT to meet you all!!!!! :)

If you think that your city would make a good location for Welcome Home and you think there would be enough interest then please get in touch.  We're always open to ideas and if we have a group of peeps that want us to come to them then who are we to argue.. ;) 


Thursday, June 13, 2013

question time..


I've now had two 'Question time' features on the blog (here and here) and they always prove pretty popular on my facebook page so I thought I'd try and make it a more regular feature.  I enjoy sharing how we do things and a lot of questions make me think about what we do and how we do it.. and from that I suppose I'm learning too..

Below are some questions that were added to my Facebook page and I hope you find something useful!  If you have any other questions then feel free to leave them in the comments!

When you started out how did you set your pricing and packages?
When I started the business I had NO IDEA what to charge or what to include and over time we've slowly grown in experience and confidence and mistakes you make along the way make it clearer to make the right decision the following time around.   When we started we were actually cheaper than what our deposit is now BUT we had no experience and pretty basic equipment.. so in my eyes our couples were paying for what we were worth.  I also remember at one point advertising Engagement Shoots for six hours.. SIX! That's a bloody wedding!!  But you learn quickly what works and what really doesn't!

With each wedding we were gaining experience.. our equipment was getting better.. my skills were improving constantly so the overall level of service and product was worth more.  Now I believe that we are 100% worth what we charge... but it takes a lot of ground work, often a lot of mistakes and lots of confidence building to believe it.



What percentage of photos do you throw away after a wedding?
For every wedding both me and Pete shoot.  At an average wedding we could come home with anything from 2000 to 3200 images and we then will cull them down (using Photo Mechanic) to between 500 to 800. The ones that end up not being used are mainly either duplicates, similar shots, people with their eyes closed, bad composition etc so everything our couples get is the good stuff.  Some photographers shoot a lot less but some of my favourite images have been the in-between moments where I might have, for example.. shot from the hip.  I also tend to take quite a few duplicates in group photos as it can be tricky getting twenty people to all have their eyes open at the same time.. ;)

Do you have any favourite books on photography, either from when you were first learning or now?
Ha! Not really! I'm much more of a physical learner so prefer to just try stuff and then when I get stuck I might look it up.. ;)

What steps do you take to cope with a bright midday sun at a wedding? Do you scout shady spots in advance? Do you use fill flash? Assistant and reflectors? Use the light you can't change creatively?
British weddings are pretty much scheduled so that shooting a lot of the important parts (family photos.. couple shots) in the middle of the day is inevitable.  If it is a very strong, sunny day then I will always look for some even shade either under a tree or around the building.  At pretty much every wedding someone will ask why they're being taken into the shade when it's such beautiful weather and I guess, to a guest, it does look pretty odd.  But for a photographer.. shooting in strong sun is pretty awful.. your subject gets dark shadows under their eyes, their nose and their chin.. everyone squints.. exposure is tricky.. you then put them in the shade and the light is perfect.. and everyone looks instantly beautiful.. :) In terms of lighting.. I have never used fill flash.. I have a reflector but it's never been used so if the light is shite.. I just go and find better light.. :)



How specific are you with your packages?  Do you tailor prices and coverage for each couple or tell them what they can expect for different amounts? How did you make the decision for the hours you offer?
We have one package with includes 7 hours of coverage, two shooters and images on a disc.. then they can tailor the package to suit them by adding any extras they want... Engagement shoot, album, additional hours etc.  Most couples add one or two hours and some might choose to have an EShoot before the wedding.  We've had quite a few different packages in the past from unlimited coverage to packages with albums included but we've found this one the easiest for our couples.  We kind of look at it as our most basic package.. so depending on their budget they can prioritise and choose if they want to add to it.  We could have set our coverage at 8 or 9 hours (and increased our price accordingly).. but what we tend to see happen then is couples asking to reduce the coverage to work with their budget and bring the price down.  With 7 hours we look at it as the minimum amount of coverage that can cover every aspect of your wedding (obviously it depends on couple's schedules) from getting ready to first dance.. then if their schedule is longer then they can extend the coverage if they wish.

Do you always have a 2nd Shooter/Assistant at all weddings?
Me and Pete both shoot at weddings.  I'll shoot the girls in the morning and Pete will shoot the boys and as I shoot the couple and the family photos Pete will be covering the rest of the wedding party.  We've been working like this for about 18 months now and we have become such a strong team.  We know instinctively how each other works and have each other's back at all times.  Pete is an incredible photographer and I suppose by spending a lot of time with me at weddings and watching how I shoot he's naturally adopted a very similar style.. sometimes looking back over the images I'm not sure who has taken which photo which is bloody awesome.  All of the weddings we blog now are a mixture of both our images so if you fancy having a guess who's are who's...?? ;)

What do you use for editing? Lightroom or Photoshop?  Do you use actions or presets? Did you do a course on post production/photoshop?
I do all my editing in Lightroom now.  I used to use Photoshop and have used Totally Rad Actions and Alien Skin in the past.  I now tend to use VSCO for everything and have found editing purely in LR a much quicker process.  I do outsource some of my initial editing to Fotofafa which I've touched on in more detail in the last post.  To be honest I like to keep things pretty simple when it comes to editing.. I have a simple workflow and like it that way.  I've found that over the past four years I've tried and tested lots of things and although I know my work has evolved and changed I always seem to naturally come back to the same feel or the same look..

I've never done a course on any software and have mainly learnt through playing and watching tutorials. Again.. you could all probably run rings around me when it comes to all these programmes but I get the results I want using them my way so I'm happy keeping it simple.. :) You could have the best camera.. the best computer.. the best software.. but it won't automatically make you Jonas Peterson.. to me that's not really what it's all about..

What key features and qualities do you look for in a blog when deciding whether to showcase your work there?
For me there are a few things that I look for when submitting to blogs.  First of all are their readers our kind of couples.. that doesn't have to mean style wise at all.. this means overall ethos.. are they attracting relaxed, easy going, creative couples. Is their content relevant to me?  We tend to attract couples similar to ourselves so if the blog doesn't interest me then I have a feeling it won't interest our couples so much either.  Then I suppose aesthetically does it have a good design.. does it work well.. are the images a good size and quality.. do the features look nice? Are they featuring good photography? Also how often do they post? Is it once every two weeks or three times a day? To be honest.. sometimes it's better when there are less posts as your work is featured on the first page for longer.. but then again more posts a day often means a bigger readership..

Also correspondance can make a huge difference. Do they email you personally, do they use your name? How personal are they? Do they get back to you? All these things play a part..


What two lenses could you not shoot a wedding without?
We are pretty pathetic when it comes to the whole 'Let's have a look at your lenses' chat. I have learnt that I like to keep things pretty simple.. in both my shooting and my editing.  At a wedding I shoot with two cameras.. one with a 35mm 1.4 and one with an 85mm 1.2.  I am pretty happy with these babies all day and will only tend to use something a bit wider for large group shots. I kinda feel more interested in what's in front of my lens so even if I had all the equipment in the world I would probably end up just leaving it all in the (heavy) bag..

Is there a reason you choose not to watermark your images?
Hmmmmm.. not really.. I did it at the very start but then submitting images to blogs, they always wanted no watermark so it was easier to just not do it.. I'm not sure I'm too keen on it aesthetically to be honest (on my own images) so unless there were major changes to copyright issues in the future then I doubt I'll add them.

How hard did you find it to be different in such a cookie cutter world of wedding photography? Did you get negativity from industry peers, did they take you seriously?  How did you build a supportive network of peers when you were different from the mass?
I didn't find it hard one little bit. It was actually a million percent easier to just be me than do something that wasn't.  It was enjoyable doing what I liked to do and I suppose because I didn't intentionally go in to it thinking 'I want to have a successful Photography business'.. I just went in to it thinking 'I know what I like shooting, so I'm gonna shoot that'.. it seemed easy.  I suppose there's been pockets of negativity along the way but it's never really bothered me.  All of it is personal opinion and if someone doesn't like my work then I guess I'm not the photographer for them. Some of the negativity has actually made me stronger and more certain of how I see the world and that can only be a good thing.  Building a network of peers was also a pretty easy step.. in this community people often reach out to each other and you quickly know who you have connections with.. who are on the same page.. these peeps are precious and you need to hold on to them tight.. :)

What do you find is your most successful strategy for getting your name known?
Not giving a shit if your name is known.  When I first started I blogged because I wanted to blog.. n..o..b..o..d..y was reading it.  I was shooting because I loved shooting.. I was chatting away on Twitter because I liked chatting.. there was no real strategy.  Now I think there seems a huge emphasis on how many followers, how many likes, how many comments and actually.. if you just get on with it and enjoy yourself people tend to come to you.

Do you have an ISO limit?
I don't tend to shoot over ISO 2500

How do you deal with back to back weddings?
If we do two weddings back to back we always try and get them as close as possible... as in distance.  Then we just make sure we download cards and back them up twice before shooting the following day. Then we spend the following day lying star shaped on the floor.



Do you use a lot of flash at weddings or mainly natural light?
I tend to only use flash if I really have to and that can sometimes be the signing of the register (if it's a dark venue), sometimes speeches, cake cutting and dancing. I will always try and use natural light whenever possible.

Do you shoot in Manual? If you do have you a preferred shutter speed?
I shoot in Manual but actually shot in Aperature Priority up until about 18 months ago.  Not sure exactly why I changed and am pretty happy in either mode. Shutter speed obviously depends on the situation but in dark environments I try and stay above 1/50 if I can to avoid camera shake.

What is your favourite film to use when shooting analogue?
Again.. going back to simple.. I'm not sure if I have a preference.. I tend to just buy a real mish mash and then it's a bit like russian roulette.. sorry that's a rubbish answer!

When shooting weddings what's your favourite chocolate bar to snack on?
No chocolate.. but maybe a banana..

How important is communication on a photoshoot?  If a Deaf photographer was to shoot more professionally what kind of interpreter should they be looking for?
I think communication is important but that doesn't have to necessarily be speaking.  I think if you and your couple have trust then you're pretty much set.  If you and your couple are comfortable in the way you work then it doesn't matter whether you chat away, say nothing or use gesture. I think confidence in your work, creating that trust and your ability to be a nice human being is key... and also being honest with what you require to get the work done.  If you feel like you can communicate freely in your own way then great.. if you feel that you and/or your clients would benefit from having an Interpreter then use one... :) There's no hard and fast rule as what works for one person might be completely different for another... so find your comfortable ground.

What do you do to relax during the busy wedding season when you are up to your eyes in shooting/editing? What keeps you sane?
I've written quite a few posts on this subject because about a year ago I was pretty unhappy in myself.  I was constantly working.. constantly stressed.. crying a lot.. I'd gained nearly 3 stone and I wasn't having a life.  I think all of us that start our own business has some or all of these problems in the first 3 years.  It's hard. Super hard.  This is now our fourth year and it's only now that I feel like I'm coming up for air.

I am now much more organised.  I plan my time better and set myself weekly and daily goals so that I work smarter and then give myself time off.  This could be a day, my evenings.. a mini break.. but I've realised just how important this is for both my own wellbeing, my marriage and the business.

I outsource some of my editing to Fotofafa.. I make sure I'm disciplined with culling a wedding the few days after we've shot it.. I pencil in editing days.. but the biggest thing is that I've learnt is to say no.  Saying no is not a bad thing.  It means you get to do more of the stuff you want to do.. and it means you're being sensible with your workload... actually I'm getting pretty good at that word now. I want my couples to get the best from us and I want to be happy and have a life of my own too so I have a responsibility to myself (and the business) to make sure that I give myself a healthy work/life balance..

My favourite things to do to relax are probably shopping.. (I'm so my Mother's daughter).. watching films.. riding my bike, jogging, sitting in the garden in the sun, reading magazines, the pub with friends.. all the normal stuff.. but it's important stuff.  It's weird but most of us have to re-learn how to relax.. and it can take quite a bit of practice to perfect.. ;)


Thursday, February 28, 2013

welcome home..

Next week we head to Dublin for our first Welcome Home Workshop of 2013.. I can't describe how this little family of open, supportive, emotive and kind photographers make me feel.  They make me so proud to be a part of this.. and together we really have created something pretty special.  I can't wait to meet the new bunch of homies and to continue to watch with pride this family grow and grow..

Last year we visited three cities.. three workshops in a week.. our own little road trip.. we met so many incredible people.. and loved every minute..



Shutterbox.. seriously guys.. stop being so incredibly amazing.. this little film makes me cry every time I watch it. Thank you.. thank you.. thank you.. thank you..

We adore sharing this adventure with you..

Wednesday, November 28, 2012

the welcome home road trip...


One week
Three Workshops
956 miles
36 Homies
3 cute couples
240 hugs
842 tears
1426 belly laughs..
..and one girl who can't even begin to tell you how lucky and grateful she feels.

In a moment of madness we decided to do three workshops as a road trip.. in a week.  We chose Edinburgh, Bristol and London and without too much thought.. we put them out there.. not thinking about how much work would be involved or would anyone even book!?!  Places started to fill and plans started to be made.. we booked venues, filled goodie bags, I wrote a lot of notes.. we wanted it to be perfect.. we wanted everyone who came to share this with us to go away with so much..

I can't tell you how much this week has meant.  I wanted to fill this workshop with my heart.. I wanted everyone to feel those butterflies, to go away with tools that they could use in their own businesses but more than that I wanted them to go away with a new found confidence.. that they are doing it right.. that their work has worth.. that they understand every part of their business and, it might sound stupid, that they understand themselves too.  I don't think any of us really expected it to be such an emotional roller coaster but sharing, discovering, admitting, playing.. I think we all felt it.. and watching those lightbulbs moments happen in front of us was just incredible..

I also didn't realise how much of an effect it would have on me.. preparing for the workshop you really have to look at yourself.. how you work, why you do things and there has been quite a few personal discoveries along the way.  I'm more confident than ever with why I do things and what's important to me as an artist and what's important to me when it comes to our couples.  I feel like I've fallen in love with my job, photography, my couples.. even the world all over again.. and I think we all came away from this week feeling so excited, so grateful, so lucky and in our crazy, busy lives.. a clearer idea of  what's important..

..and I know exactly what is important to me.. and one of those things is Pete.  With this job you often get quite a lot of praise.. whether it's a comment on the blog, a tweet or someone talking about your work but if your job is maybe more behind the scenes sometimes that praise might get missed.  Pete is simply amazing.  We've been working together now for nearly two years and I honestly could not do it without him.  He runs the business. Period... and now that he also second shoots I'm actually starting to wonder what I actually do?!?.. ;)  Ha! But seriously.. this workshop was just as much Pete's baby as it was mine.. every venue, every hotel, food, transport, pub, goodie bags.. Pete had it covered.. and on top of that he danced, he laughed, he hugged.. he even cried when some guy gave us free scones (told you it was an emotional week).. I want him to know just how much I appreciate everything he does and that I feel completely bullet proof with him next to me.. we are the best team and bloody hell his new hair cut is so bloody fit.  Thank you Pete.. for just being your amazing self.. I'm one very lucky girl..

So.. what did we get up to? 

Well first up.. here's an AMAZING trailer from Shutterbox films... (I've literally watched it about 50 times)...




I also cannot thank Lee and Dawn (Shutterbox Films) enough for wanting to come with us and the help and support that came with it.. they filmed, they supported, they made tea, they made us laugh, Lee drove the hire car when the indicators had a mind of their own (another story).. we honestly couldn't have done it without them.  I've never laughed so much and so hard in years.. even breaking down in the hire car was the best thing ever.. we've come back with two amazing friends that we hate being apart from so when our Edinburgh couple couldn't make it.. who was there to step up and happily take their place?.. I say happily.. Lee's first words were.. NO WAY.. but I'm so happy that I totally ignored that and witnessed them being super cute together.. actually, no.. they were beyond cute.. and literally everyone fell in love with them.. 

Thank you Lee and Dawn for being beyond bloody awesome..





We then made our way down to Bristol where the incredibly gorgeous Naomi and Glen made it pretty much impossible to not take a million photos.. maaaaan.. red hair is pretty much my fave.. how friggin' gorgeous!?!...





 We ended the week down in London with our biggest group yet.  Blanka and Neil joined us for the afternoon and shit me they were good.. Blanka never stopped laughing and they both were killing it.. also I'd like to order a pair of Blanka's legs for me if that's at all possible? 


Again I managed to be pretty awful at taking any photos of what was happening over the week so the homies very kindly offered to share some of their images from the three days.. it's so lovely to look over these and actually take the experience in as a whole.. it really was the most incredible week and we met so many truly amazing people..




A huge thank you to Linzie Russo, Photos by Zoe, Heart Full Of Tea, Millie Benbow, Martina Capodanno, Alexa Loy, Jen Owens Images and Brighton Photo for kindly letting me share your beautiful images..

I also want to say a huge thank you to all the lovely peeps that contributed to the AMAZING goodie bags! Folio Albums, Fotofafa, Kelly Moore and Everybody Smile were such a big part of this family too.. and the most amazing venues.. Belt Craft Studios in London.. Studio 128 in Edinburgh and The Paintworks in Bristol..

You can also have a look at what some of the homies thought about their time with us..
Martina Capodanno
Paula Broome Photography
Alexa Loy Dent
Elizabeth Armitage Photography
Little Rays
Heart Full Of Tea
Mack Photography
Kanashay Photography
Lydia Stamps Photography
Eden Photography
Kytography


..and now, I'll be honest.. after spending a week with the most amazing people, concentrating on what's really important and coming away feeling stupidly inspired.. I've got the bug.  So.. we're planing MORE!!!!.. and on Monday (3rd Dec) we'll let you know where and when.. :)

It would be absolutely bloody amazing to see you there...

Friday, July 29, 2011

featherlove workshop

This is a such a big deal for me. When I started my journey into the world of photography, there were many things that inspired me and kept me determined to be true to myself, to look for the alternative, the quirky, the individual. And most of all to be brave and believe in ME.

Noa Azouley-Sclater aka Feather love is a massive source of inspiration to me. The first time I saw her work was like an explosion went off in my head. The images had such strength and honesty. Although they captured beauty through a dreamlike fantasy, it also was filled with a gritty, dirty truthfulness. So unique and here’s that word again... ‘Brave’.. she was nothing like I had ever seen before or since for that matter. You feel the picture, you know its real and true to who Noa is. There is no gimmick or trend.

It is very important as a creative artist to find the real you and what makes you unique. Yes look to others for inspiration and encouragement, but ultimately if what you do is not ‘real’ it will show, you will not feel it, and this will be reflected in your work.

I was lucky to meet Noa last year when she was in London with her husbands band. She shot mine and Pete’s engagement shoot in a simple little church and I will forever treasure these images not only as beautiful pieces of art but also as a reminder of my own personal journey. Since then we have kept in touch as friends, mutually admiring each others work and I always dreamt that one day I would get to work with her…. and now it's happening. Noa is running a workshop in London and Belgium in September and I've been asked to be a guest speaker. Even just skyping with Noa for an hour gave me so much fire in my belly to really celebrate and push my own creativity and I'm so bloody excited to be a part of this...

The Feather LoveWorkshop








The Feather Love workshop is an artist workshop and is focused primarily on understanding yourself as an artist, increasing your connection to your creativity, staying inspired and innovative. Noa covers blogging, the wedding industry, getting featured, getting clients you want, artistic integrity, artistic philosophy, breaking rules and branding yourself along with your work.

Workshop Dates
LONDON - Wednesday 7th September 2011
BELGIUM - Friday 9th September 2011

INFO
There are many incredible technical photography workshops out there, but THIS workshop will be focused more on inspiration, finding your own style and voice in the industry and being fulfilled as an artist. Noa has compiled many questions that she receives from photographers and has put together a talk to cover all those questions. This will NOT be some class on how to make your work like Feather Love; instead it WILL be an inspiring talk and a shoot that will help give direction on how to find your OWN unique style and voice and also how to do so unapologetically! Noa strongly believes that each artist has their own path. If you lose your entire grip on reality when you see a beautiful photograph and you want your OWN work to give you that same feeling - this workshop is for you!

Included in Noa's talk:
* How she started in the industry and what step-by-step changes she made to increase
personal fulfillment
* Using the blog world to get 'free' advertising
* Getting the clients YOU want
* Finding your own influences and artistic style
* Artistic integrity
* Keeping inspired
* 'Shooting from the hip'
* Breaking rules to get what you want
* Finding and creating processing that you like
* Being the Art Director of your shoots
* Intuitive shooting
* What is the artist creature? Noa also discusses her philosophies on what it means to be an artist and how to merge your life, art and work together....

...and lots more!!!


























Guest Speaker - Emma Case Photography
I will be discussing the UK industry, how these approaches can be made within the UK wedding industry touching upon how I started, what decisions I made to be true to myself, managing client's expectations as well as your own and how we can create our own path on our home turf by helping to break the mould.









There will be opportunities for you to discuss and ask questions and you will also be given time to shoot alongside Noa so bring your cameras (and also your dancing shoes as the workshop will be followed by what is more commonly known as an 'after-party'!!!)

Full day workshop €500 (£438)
To book your seat for London please follow the link... LONDON
To book your seat for Belgium please follow the link... BELGIUM




Think I might need to lie down.......
Shit me.